WATCH & LISTEN
Excerpts of live performances
Gary Schocker’s November is a newly composed work for flute and piano, premiered by me on January 31, 2026, at the Florida Flute Convention. The piece moves between melancholy and quiet hope, unfolding in lush harmonic colors and a soaring, lyrical flute line that feels both reflective and forward-looking.
Claire Vazart’s Songes for flute, bass, and piano drifts through a world of jazzy shadows—smokey, dark, and quietly sensual.It unfolds like a late-night confession, its quiet bass line and languid piano licks give the flute space to sing, bend, and sigh. Songes is a reminder that truth often lives in the half-lit places: in desire, in memory, and in the hushed moments where we find the courage to speak, even softly.
Poem for flute and piano
(Charles Griffes)
Sonatine
(Henri Dutilleux)
Claude Bolling’s “Affectueuse” floats in a smoky, tender world—sweet, lyrical, and quietly seductive. Performed here as part of The Sound of Hope, my cabaret-style program celebrating resilience, love, and the intimate places where music and identity meet.
Live from the Kennedy Center
First Prayer
(Ned Rorem)
Prelude I
(Riobert Muczynski)
Regrets and Resolutions
(Gary Schocker)
Soliloquy
(Lowell Liebermann)
Flute Quartet in D major, K.285
(Mozart, Wolfgang Amadeus)
Trio for flute, violin, and piano
(Nino Rota)
Quintet for flute and strings
(Sergi Casanellas)
Ti (China)
from Six Preludes
(Davied Loeb)
Ephemeropterae I
(Martin Amlin)